Urban Myths (서울괴담) — 2022

Director: Hong Won-ki · Genre: Fantasy, Horror

anthology

The 2022 South Korean anthology horror film presents ten interconnected urban legends set in familiar everyday places such as apartments, old furniture, mannequins, tunnels, and social media. It follows ordinary situations that slowly turn ominous as revenge, curses, desire, and supernatural forces surface. The film is described as a chilling collection of everyday horror stories rather than a single continuous plot.

Narrative Score

Experimental 5-axis narrative score — not a critic rating.story5ending4visual3acting3expect2

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Full Plot & Ending Explained

Intro

Urban Myths is a 2022 South Korean anthology horror film made up of ten separate stories set in ordinary places in Seoul, and the stories center on everyday fears such as a tunnel, an apartment wall, furniture, mannequins, and social media.

Turning Point 1

In “The Tunnel,” Gi-hoon drives home after a fishing trip and notices strange handprints appearing on his windshield; he wipes them from inside the car, but the marks return, and when he enters the tunnel ahead, the situation turns overtly supernatural and hostile.

Turning Point 2

In “The Woman in Red,” Soo-jin moves into the apartment once occupied by her friend Hyeon-joo, learns that Hyeon-joo died by suicide, and is then tormented by visions of a woman in red who follows her and makes the apartment feel inescapable.

Turning Point 3

In “Tooth Worms,” a man named Choong-jae cannot explain a patient’s severe tooth pain until research and advice from his mentor reveal that the pain comes from something far more unnatural than a normal dental problem, and the case escalates into a body-horror outbreak.

Turning Point 4

In “Necromancy,” Ji-hyeon and Hye-yeon, who had promised to bring each other back if one died, are forced to confront that promise after Hye-yeon’s suicide; Ji-hyeon performs the ritual and succeeds, but the return of her friend quickly proves horrifying rather than comforting.

Turning Point 5

In “The Wall,” Jeong-gyoon moves into a new dormitory and becomes fixated on the knocking he hears through the wall, eventually meeting the woman next door and using the knocks to communicate with her; his curiosity leads him to uncover a much darker secret hidden behind the wall.

Turning Point 6

In “The Closet,” a woman receives a custom-made closet for free from a suspicious man, only for strange events to begin around the furniture; as she investigates, she discovers that the closet contains a hidden back section tied to something sinister.

Turning Point 7

In “Ghost Marriage,” a young man is recruited for a marketing job and during the interview is asked bizarrely personal questions, after which he learns that the position is connected to a ghost marriage scheme rather than a normal career opportunity.

Turning Point 8

In “The Girl in the Mirror,” a woman desperate to become an influencer pushes herself into increasingly ugly and reckless behavior for attention, and her obsession with online fame exposes an even uglier side of her personality.

Turning Point 9

In “A Mannequin,” Jong-chan hears unsettling stories while working at a mannequin company, sees an extra mannequin in an unusual pose during inventory, and later encounters a human-like figure with a mannequin’s face, showing that the urban legend is not just a story.

Ending

By the end, each story confirms that ordinary spaces in modern Seoul conceal revenge, curses, obsession, and death, and the film closes on the same bleak idea that these “urban myths” are real threats rather than harmless tales.

Cross-checked against Wikipedia and other public film references. View on Letterboxd ↗ The Narrative Score above is an experimental 5-axis rating, not a critic score.